Cult black dress in film

August 19, 1883 was born the great Coco Chanel, which introduced in 1926 to the public a simple black dress. Years go by, the fashion trends are changing, and its little black dress is still loved and important. The cinema is also extensive use of the unique possibilities of black dresses to give a more expressive way. And some pictures are iconic thanks to an incredibly spectacular outfits, created by great designers for the main characters.

Cult black dress in film Cult black dress in film

Coco Chanel

One of the clients of Coco Chanel, Wallis Simpson, Duchess of Windsor, said: "If you have the right little black dress, nothing in the world can not replace it." And with that, hardly anyone would argue ...

"In the search for the woman dress. If there is no woman, there is no pay, "- said Coco Chanel. These dresses have become cult not only thanks to the talent of their designers have created, but also thanks to gorgeous women for whom they have been sewn, such as Marilyn Monroe, Audrey Hepburn, Rita Hayworth, and others.

Dress Rita Hayworth ( "Gilda", 1946)

Cult black dress in film

After reaching the screen in 1946 movie Gilda, Rita Hayworth, who starred in the title role, immediately became a legend of cinema and a symbol of feminine beauty and sensuality. And in many ways, this contributed to a luxurious dress of the main character - a long black satin dress with bare shoulders and tall elegant gloves.

Cult black dress in film

to create this masterpiece of the famous designer Jean Louis, in tandem with which Rita has worked on ten films.

Cult black dress in film

Rita Hayworth and Jean Louis on set The most compelling was the scene of a 'strip' with gloves, in which the main character, performing the song "Put the Blame on Mame", in flirty dance slowly removes his hands from his elegant long gloves, and only one. And after this rather chaste scene, it has become a "goddess of love" and sex symbol of that time. Important role in this played a sensual and sexy black bustier dress with breathtaking cut and form-fitting bodice.

Cult black dress in film

The dress Audrey Hepburn (film "Sabrina", 1954)

Cult black dress in film

At the meeting, Audrey Hepburn and young designer immediately liked each other, and with this film began their long association.

Hubert de Givenchy: "My first impression was a sense that it looks like a fragile little animals - with these huge eyes and completely without makeup. She was charming. "

Audrey Hepburn: "It is the only clothes in which I feel myself. He is much more than a fashion designer, he - the creator of the personality. "

Cult black dress in film

Audrey Hepburn with her friend, the great couturier Hubert de Givenchy

Dress Audrey Hepburn ( "Breakfast at Tiffany's", 1961)

Cult black dress in film

The legendary black dress from the film to this day remains perhaps the most famous dress, it has even earned the glory of "the best little black dresses of all time." Naive and eccentric Holly Golightly in the performance of the fragile and ethereal Audrey and simple, but incredibly sophisticated and elegant dress created by designer Hubert de Givenchy ...

Cult black dress in film

Following the mandates of Coco Chanel, the designer took the dress worthy accessories - massive necklace of several strands of pearls, high gloves, tiara adorning her hair high, huge glasses and a long cigarette holder.

Marilyn Monroe ( "Some Like It Hot" ( "Some Like It Hot"), 1959

Cult black dress in film

Greta Garbo / Anna (movie Anna Karenina, Designer - Adrian)

Cult black dress in film

Mireille Darc / Christine ( "The Tall Blond Man with One Black Shoe", 1972)

Cult black dress in film

The black dress pretty blonde Christine, the heroine of this French comedy, at first glance, is nothing unusual. Tightly closed in front, with long sleeves ... But it's worth it to turn back - and we see a cut, which have deeper and can not be. Designer of this bold extravagant dress is Guy Laroche.

Lyudmila Gurchenko / Helen Krylov ( "Carnival Night", 1956)

Cult black dress in film

The black dress with a white muff for Lena Krylova, in which she performed at the House of Culture, was performed in the famous "diorovsky" New style bow, which is characterized by full skirt, narrow waist accentuates. Gurchenko with her wasp waist looked great in that dress.

Natalie Wood / Maggie Dubois ( "The Great Race")

Cult black dress in film

Ava Gardner ( "Killer", 1946)

Cult black dress in film